Bulbul Sings – Echoes of the Bosnian Soul from the Old Gramophone
The Library’s project of digitising 78 rpm gramophone records led to the creation of a presentation called Bulbul Sings – Echoes of the Bosnian Soul from the Old Gramophone. This initiative was prompted by the tragic events in Sarajevo between 1992 and 1995, which resulted in the destruction of the City Hall building, housing the National and University Library of Bosnia and Herzegovina. The loss included a significant part of the cultural heritage, particularly one of the largest collections of gramophone records in former Yugoslavia.
Over six years, the National Library of Serbia has diligently digitised its oldest gramophone records, thereby preserving, safeguarding and sharing records featuring folk music from Bosnia and Herzegovina. This collection aims to present less familiar insights into Bosnian 78 rpm records and reach a broader audience in an engaging and informative manner.
The presentation encompasses various elements: general information on the digitisation project, narratives about the earliest gramophone records from Bosnia and Herzegovina dating back to the early 20th century, descriptions of the collection items, excerpts from publishers’ catalogues of the earliest Bosnian records, record labels, artist images and 93 songs performed by Bosnian and Serbian artists, accompanied by associated metadata. Vesna Aleksandrovic and Ivan Pešić are the authors behind this presentation.
The phonographic document collection was established back in 1963. It encompasses a variety of audio recordings across different media, such as magnetic tapes, gramophone records, audio and video cassettes, compact discs and the increasingly common CD-ROMs. Apart from the legally-required deposits, this collection grows through exchanges, purchases and donations.
This compilation of phonographic documents encompasses recordings of diverse music genres by both local and international artists, along with spoken and literary texts and a range of audio-visual publications. Additionally, it has been enhanced by around 200 gramophone records at 78 rpm from well-known foreign discographic companies like His Master’s Voice and Odeon, among others, all created using outdated technology. This collection holds particular importance because our country didn’t have its own gramophone record production before World War II. It allows us to hear the voices of local artists such as Dobrica Milutinović, Olga Ilić, Josip Rijovac, Mijat Mijatović, and enjoy works by Stanislav Binički and Petar Konjović.
Moreover, this collection features audio recordings of prominent figures such as Ivo Andrić, Miloš Crnjanski, Desanka Maksimović, Vuk Karadžić, as well as renowned actors like Milivoj Živanović, Ljuba Tadić, etc.
The legacy of Miloš Jevtić is a great addition to the collection. It encompasses conversations with luminaries who have made enduring contributions in the fields of science, art and politics.